Though I rarely
notice the editing of a film when watching, there is one scene in “10
Things I Hate About You” which has always caught my eye. This is
not a particularly spectacular scene, although there are some
important developments, but it opens with this great shot in which
the camera spins to show the neighborhood before landing on the main
characters' house and dollying in though a window. The music for this
shot is a song that starts off sounding very mellow and then changes
to an angry indie rock sound once the camera finds the house. This
change makes it obvious that you have landed on the house in which
Kat lives. In the scene that follows the shots focus on following the
conversation so there isn't much change in the images shown. The
shots are mostly stationary but they adjust as the characters move
and they last for the length of a character's line or if they make a
move that brings them out of a shot which another character remains
in. The cuts are mostly obvious which works for this scene because
there are arguments going on. By following the characters the way it does you come to feel that you are in the room watching the person talking and then turning to see the
reaction and their response, like a tennis match. When Kat opens her acceptance letter you
get a jolt from her screams of excitement and the sudden shot change
to show a new view of the room. When the dad announces his new rule
on dating, so key to the plot, the shot changes in another jump which
marks the importance of the statement. Anything that jolts you from the flow of shots is very strategic, it has a purpose in the story.
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